Sony FX3 Full-Frame Cinema Camera w/ FE 24-70mm f/2.8 GM II Lens +

With a compact design for solo shooters, travel applications, and to serve as an ideal B cam, the Sony FX3 borrows from both the Cinema Line and Alpha series of cameras to create an optimized portable cinema camera. The FX3 features all of the imaging attributes you'd expect from this class but sports a newly designed body that's hand-holdable, with a streamlined and minimal profile, and has a "cage-free" design, indicating the ability to secure various accessories directly to the camera body.

• BRAND NEW IN STOCK & READY TO SHIP!!!
• 12.1MP Full-Frame CMOS Exmor R Sensor
• UHD 4K up to 120 | 1080p up to 240
• Compact Form for Cage-Free Operation
• 10-Bit 4:2:2 XAVC S-I,16-Bit Raw Output
• S-Cinetone/S-Log3/HLG, 15+ Stops DR
• Detachable 2 x XLR/TRS Adapter Handle
• Phase Detection AF/Face Tracking/Eye AF
• 80 to 409,600 Expanded ISO Range
• Dual CFexpress Type A/SDXC Card Slots
• Import Model 30 Day Labor 1 yr Parts Warranty by Seller

With a compact design for solo shooters, travel applications, and to serve as an ideal B cam, the Sony FX3 borrows from both the Cinema Line and Alpha series of cameras to create an optimized portable cinema camera. The FX3 features all of the imaging attributes you'd expect from this class but sports a newly designed body that's hand-holdable, with a streamlined and minimal profile, and has a cage-free design, indicating the ability to secure various accessories directly to the camera body.

Its 12.1MP Exmor R BSI CMOS sensor (10.2MP effective in video mode) pairs with a BIONZ XR processor to achieve UHD 4K video capture with internal 10-bit 4:2:2 sampling or 16-bit raw output. The sensor's BSI design heightens clarity and sensitivity, with an expandable ISO 80-409600 range and greater-than 15-stop dynamic range for working in mixed lighting conditions. Benefitting color and tonal control, an S-Cinetone mode can be used for matching to VENICE, FX9, or FX6 sources and there is also S-Log3/2 gamut support and 10-bit HLG for simple HDR productions. The sensor and processor also work together to greatly reduce rolling shutter and the sensor's design incorporates a Fast Hybrid AF system for intelligent and quick focusing performance and subject tracking.

A refined take on the fast standard zoom, the Sony FE 24-70mm f/2.8 GM II is not only smaller and lighter than the previous generation, it also features a variety of optical, focusing, and handling upgrades, catering to both photo and video applications, that make this the most well-rounded G Master zoom to date.
Designed to rival the primes, this zoom's optics have been revamped to provide even greater resolution, clarity, and bokeh quality.
Bright f/2.8 constant aperture allows users to capture images in dim lighting conditions and with a shallow depth of field.
Two ED (extra-low dispersion) and two Super ED elements effectively suppress chromatic aberrations and color fringing for greater clarity and color fidelity.
Five aspherical elements, including two extreme aspherical elements (XA), minimize spherical aberrations, distortion, and also reduce 'onion ring' bokeh.
Nano AR Coating II controls flare and ghosting with support from a new optical design that reduces internal reflections.
An 11-blade aperture diaphragm helps create smooth, circular bokeh at all aperture settings.

Sony's FE 70-200mm f/2.8 GM OSS II takes the classic fast zoom and elevates performance to a whole new level. This lens builds upon the best parts of the original and makes them even better while simultaneously reducing weight by 29%—making this lens the lightest in its class. Sony has also given this lens a brand-new AF system that promises up to four times the speed and has made plenty of optical optimizations that will appeal to video shooters, including improvements to focus breathing and focus shift. Whether you shoot portraits, sports, landscapes, or video, the 70-200mm f/2.8 will get the job done.

Improved Optical Performance
SEL70200GM2 | G Master
A hallmark of the G Master line is outstanding optical performance with both high sharpness and smooth bokeh. Using a new design, the FE 70-200mm f/2.8 GM OSS II promises corner-to-corner sharpness across the entire zoom range—even when shooting wide open at f/2.8. Along with that, a newly designed 11-blade aperture helps create soft, pleasing bokeh.
Fast f/2.8 constant aperture allows users to capture images in dim lighting conditions and with a shallow depth of field.
Two ED (extra-low dispersion) and two Super ED elements, including one aspherical ED element, effectively suppress chromatic and spherical aberrations.
SEL70200GM2 | Optical Design
Two aspherical lenses, including one extreme aspherical lens (XA), minimize distance-related aberrations and also reduce 'onion ring' bokeh.
Nano AR Coating II controls flare and ghosting with support from a new optical design that reduces internal reflections.
An 11-blade aperture diaphragm helps create smooth, circular bokeh at all aperture settings.

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With a compact design for solo shooters, for travel applications, and to serve as an ideal B cam, the Sony FX3 borrows from both the Cinema Line and Alpha series of cameras to create an optimized portable cinema camera. The FX3 features all the imaging attributes you'd expect from this class but sports a new lightweight, handheld form with a streamlined profile and a cage-free design offering the ability to secure various accessories directly to the camera body.

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